Pigment and glitter
Updated
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Alcohol inks and resin dyes
Thin, strongly colored, solvent-borne in the case of alcohol ink, and dispensed by the drop. 43 dropper assemblies and 6 dropper tips and caps on this shelf.
Which brings the resin chart in
An alcohol ink in PET is the wrong pairing, and PET is 390 of the 698 containers here. For solvent-borne colorants the 130 glass containers are the shelf.
Mica powders and pigment pastes
Dry or thick, taken out with a spatula rather than poured. A small wide mouth jar, and the 110 PET single wall jars plus 26 PP single wall jars are where those live.
Glitter is an organization problem
A hundred colors in tiny quantities. The container question is not what holds it, it is what holds a hundred of them in a findable, non-spilling, stackable way.
Which is the gap on this shelf
Glitter is sold in small vials with plug stoppers and in compartment boxes. There are 2 tubes here and no compartment box, so the honest answer is a tray of small jars.
Static is the glitter problem nobody warns about
Fine flake clings to a plastic wall and to everything else. A smooth glass or a wider mouth helps; nothing eliminates it.
Clear containers earn their place here
186 of them. For a colorant collection, seeing the color through the wall is most of the usability, and a label never keeps up with a mixed shade.
Against the archetype's light sensitivity
119 amber containers, for pigments that fade. That is a real conflict: see the color or protect it, and for a pigment used up within a year clear usually wins.
The size the craft wants
15 and 30 mL. 100 containers on this shelf are 30 mL or under against an archetype window that starts at 100, which is the pipeline undershooting the craft.
And a tight closure matters more than it looks
An alcohol ink evaporates through a poor liner and a mica powder takes up moisture and cakes. 11 liners and sealing discs is the line item that solves both.