What this craft buys
Updated
On this page11
Resin jewelry pigment
Alcohol inks, mica powders, resin dyes and pastes, bought in small quantities in many colors. A pigment collection is dozens of containers rather than a few.
Glitter
Polyester or PET flake in a hundred colors and three or four cuts. Sold and stored in very small quantities, and the single most organization-hungry material in the craft.
Mold storage
Silicone molds that must not be dusty, creased or stacked under weight. A dusty mold is a cloudy casting and the dust is invisible until the resin cures.
Inclusion storage
Dried flowers, charms, foils, beads, shells and findings. Small, mixed, fragile and sorted by eye, which is a compartment problem rather than a container problem.
Two of those are liquids
And the archetype is written for them: chemical resistance, narrow mouth, poured, light sensitive. For a pigment or an alcohol ink that is exactly right.
Two of them are not
A mold is lifted out flat and an inclusion is picked up with tweezers. Neither is poured and neither cares about a resin chart.
The resin itself is not a leaf here
Which is worth noticing. Epoxy and UV resin are bought in the manufacturer's bottles, and the shop consumables property covers decanting an epoxy.
So why does a law about children's products belong in this property
Because a resin jewelry maker is a manufacturer of jewelry, and the most consequential question about their output is whether any of it is a children's product. Most have never been asked.
And the answer partly depends on their packaging
Which is the finding that makes this a packaging property rather than a compliance footnote. One of the four factors is how the product is represented in its packaging.
Read the next section before the containers section
The four factors decide which regime you are in, and the regime decides what has to be printed on the box. The container choice comes third.