From wax to product
Updated
On this page8
One: find your pour temperature
Not your melt point. The temperature at which you actually pour, which for soy blends is commonly well above 120 F and for paraffin higher still. Write the number down, because it is the filter that decides which half of this shelf you are shopping from.
Two: choose the container that tolerates it
PP at 240 F and glass at 300 F both clear any normal wax pour. PET at 120 F does not, and 112 of the 224 containers here are PET. This is one constraint, not a preference, and it is the one people discover by deforming a case of jars.
Three: settle the fill weight by weighing
Fill a jar the way you intend to fill production, let it set, and weigh the wax. That number is what goes on the label, and it is the only honest route to it. Do not compute it from the jar capacity.
Four: design the label to part 500
Principal display panel, weight in both avoirdupois and metric, type size set against the panel area, only the listed abbreviations. Each of those is a short rule with a number in it, and together they take an afternoon.
Five: decide the pack before the artwork
A six-pack of melts is a multiunit package and declares the count, the quantity of each unit and the total. If the inner units are sold separately they each need a compliant label of their own, which changes the print job.
Keep the five answers together
Pour temperature, container, measured fill weight, label spec and pack format. Change the wax or the fragrance load and the weight moves, which means the label moves, which is why these live in one document.
Do not start from the jar you liked
Picking the container on looks and then trying to make the pour work is the sequence that produces a case of deformed jars. The temperature filter takes one minute and leaves 112 containers to choose from on appearance, which is plenty.