From bulk to bottle
Updated
On this page8
One: are you a producer or repackager of art materials?
If you market or represent the substance as suitable for use in creating visual or graphic art, and you package it in sizes for individual users or a small group, then yes. Both halves have to be true and both are within your control.
Two: get the formulation to a toxicologist
The producer or repackager shall submit art material product formulations or reformulations to a toxicologist for review, and the toxicologist is required to keep them confidential. If you are repackaging, that means getting the formulation from your supplier.
Three: write down your criteria, and file them
Each producer or repackager shall describe in writing the criteria used to determine whether an art material has the potential for producing chronic adverse health effects, and submit that description and a list of the materials needing warnings to the Commission.
Four: choose the container for the chemistry
Solvent-borne, alcohol-borne and water-borne products make very different demands, and 149 of the 191 containers on this shelf are HDPE with 42 in glass. This is the point at which the resin question gets settled.
Five: build the label from the rule
Signal word, chronic hazards in descending severity, the hazardous components named, handling instructions, sensitizers, the conformance statement, and where chronic labeling applies a US address, a telephone number and a statement that it is inappropriate for children.
Then diarize the five years
A toxicologist must review formulations and labels as necessary but at least every five years. That is a calendar item with a regulation behind it, and it is the obligation most likely to be forgotten because nothing prompts it.
Keep the whole file together
Formulation, toxicologist opinion, written criteria, filed submission, label artwork and the review date. Every one of those is referenced by the others, and a reformulation puts all of them back in play at once.